Call Me Crazy . . .

. . . but when exactly did credits become evil and intrusive?

I remember a time when credits didn't get squished down nor sped up to fit in an advertisement for another show. Heck, I remember a time when they did vocal promotions for other shows during the end credits without having to invade the credit space.

The credits, mind you, are placed to give those fine men and women the credit they deserve (thus, that's why they're called "credits"). Now, credits are squished down to microscopic sizes or with such distortion, barely visible to the naked eye, to make room for commercials and promos for shows they heavily promoted during the duration of the show, you know, in case you missed it during the show. E! scrapped end credits altogether, speeding them up in little-bitty type in a light, barely readable font at the beginning of their original programming. And even though their Friday night lineup is the best collection of shows on a single night on television today, Sci-Fi squishes credits even smaller, barely making out the men and women behind Doctor Who, Heroes, and Battlestar Galactica (which already had small squish-ready credits to begin with).

Once again, network execs are making these the norm throughout the channelscape, and
it makes you long for the days when presenters did just vocal promotions without video commercials obscuring the credits.

But that's just me.

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